Antoine Dufilho Designs A Fleet of Seductive Automobiles For “Sequential”

Sequential is an avant-garde exhibit of eight automotive works by the talented French sculptor Antoine Dufilho. In this collection, Dufilho merges his passion for cars with principles from his studies in medicine and architecture, creating modern sculptures accentuating the classic curves of coveted automobiles. As avid car aficionados at the MB&F M.A.D.Gallery, we invite fellow enthusiasts to take a spin through the Sequential exhibit to discover the allure of this intricate automotive art.

Dufilho selects the crème de la crème of icon models when it comes to cars for the Sequential exhibit. The collection includes an enviable line-up of eight famed automobiles, from a Ferrari 250 GTO and Bugatti Atlantic to a Mercedes W196 Streamliner, scaled-down and transformed into impressive artistic renditions. The Bugatti Type 57S Atlantic and Aston Martin DB5 demonstrate the expertise of Dufilho: each sculpture decomposes the sleek lines and shapes of each vehicle into successive layers materializing into a modern automotive framework and revealing the contour of the car. “This sequenced representation provides a kinetic effect as the observer views the piece from different perspectives causing the sensation of a static object in movement. The dynamic effect is accentuated by alternating symmetries and asymmetries proving the feel of acceleration or deceleration,” explains Dufilho.

Perhaps one of the most important models in the history of Bugatti, sold from March 1934 to May 1940, is the Bugatti Type 57S Atlantic. Dufilho constructs a sexy silhouette of the iconic automobile with polished finished stainless steel plates and bronze wheels, parked on a polished aluminum base. The sculpture measures approximately 76 cm in length and 20 cm tall with a width of 33 cm and is limited to ten pieces in addition to two artist editions. Another example of Dufilho’s artistic technique uses shaped stainless steel pieces strategically layered to present his rendition of the Aston Martin DB5, a car produced from 1963 to 1965 and often referred to as the ‘James Bond car’ that first appeared in Goldfinger. The front end of the Aston Martin in the wall is racing through the polished stainless steel mounting. Only eight pieces and four artist editions are available in this limited edition.

The Sequential collection also offers the Mercedes W196 Streamliner, Auto-Union-Avus, and Porsche 356. In a similar style and available as a wall mount is the customized Aston Martin DB4 GT Zagato. Dufilho expands his portfolio to include the legendary Ferrari 250 GTO model with a fuselage handcrafted in resin and finished with automotive paint enhancing the aerodynamic appeal of the car. The sleek lines and smooth, black surface of this work of art emphasizes Ferrari’s devotion to speed, even while parked on a 75 cm x 35 cm polished aluminum base. The Ferrari 250 GTO is available in a limited edition of eight pieces and four artist editions.

The creativity continues in a one-of-a-kind piece depicting the Jaguar E-Type, a superstar of the motoring world. In order to compose the sculpture Dufilho handcrafted 2,250 stainless steel rods, each measuring only 2 mm in diameter and colored to emphasize the exquisite aesthetics of the automobile. Once the rods are all strategically and meticulously placed, one by one on a rosewood base, viewers can discover a lightweight and airy representation of this renowned motorcar. Due to its unique construction, when rotating the base or walking past it feels as though the car is in motion. Standing 24 cm tall and 78.5 cm in length this miniaturize Jaguar is sure to look better in the home than the garage.

Dufilho’s educational background in architecture and medicine provides a conceptual foundation in which his innovative artworks are established. During his medical studies he was drawn to anatomy and the complex structures that are essentially hidden by skin while his architectural education taught him technical skills, introduced him to the history of art, and a new way of thinking. “Combining these two schools of thought has allowed me to develop a new structural approach, including the framework (skeleton) that can be hidden by a "skin" as enhancement, forming an aesthetic and dynamic meshing that strengthens the architectural intentions,” as Dufilho describes.

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