H&M presents the most recognizable art of Keith Haring adds an instant, eye-catching quality to some of the summer's hottest streetwear styles.
The men’s collection of hoodies, tees and more, utilizing the iconic designs of the American pop art legend.
Available now at hm.com and major stores worldwide.
The studio-line has produced timeless designs that are design icons of the 20th century, such as art objects by Andy Warhol, Victor Vasarely and Otto Piene. And the Service TAC by Walter Gropius (1969), Suomi by Timo Sarpaneva (1976), Moon by Jasper Morrison (1997) and Landscape by Patricia Urquiola (2008) - still part of the Rosenthal range today as design highlights. More than 150 artists, designers and architects have designed for studio-line since the early 1960s, including Tapio Wirkkala, Ettore Sottsass, Marcel Wanders and Konstantin Grcic. Rosenthal's love of experimentation is also demonstrated by the current collection with objects by Sebastian Herkner and BIG. Especially beautiful: porcelain from Rosenthal is made in Germany. It is manufactured in Selb and Speichersdorf under the most modern and sustainable conditions. In production, Rosenthal uses recycling management wherever possible. This includes dissipating the heat from the kiln to heat water, using recycled water in production and reprocessing porcelain paste for new products.
To mark the 60th anniversary of studio-line, Rosenthal is launching 60 selected vases in twelve different colours that reflect future trends and at the same time represent a journey through Rosenthal's design history. The limited edition alternates between restrained shades of grey, pastel green and blue as well as intense berry tones with sonorous names such as Sea Salt, Tangerine, Mint and Abyss. Included in the illustrious birthday series are Rosenthal classics such as Plissée by Martin Freyer (1968), Pollo by Tapio Wirkkala (1970), Arcus by Marcello Morandini (1983), Conio by Michele De Lucchi (1994), Fast by Cédric Ragot (2006) and Fondale by Office for Product Design (2017). The shapes are as varied as the colours: they range from pure, architectural volumes to sumptuous, floral objects. The restrained tones of the palette correspond with the strictly geometric vase shapes, while the intense colours blend with the poetically playful objects. The vases are made of through-dyed porcelain mass.
What appears easy at first glance is technically demanding, even for Rosenthal. The porcelain mass produced according to the company's own recipe changes according to the addition of the coloured bodies, which in turn has an effect on the stability of the bodies before and after firing. To achieve the shape of the coloured vase as in the white original, each of the 60 vases had to be newly created. The sophistication of the Rosenthal studio line vases therefore lies in the expertise and manufacturing art of the Rosenthal craftsmen, who like alchemists create artistic objects from porcelain according to a secret recipe.
The Denim Love series is crafted from high-quality denim worked using special techniques, with the lightweight, loose-fitting tunics, jackets and shirts ideal for the summer. Increasingly attentive towards the environment, A|X Armani Exchange continues on its mission towards a more responsible, sustainable production, incorporating pieces made with organic denim or recycled materials.
由我去決定誰 才應該在我心中擁有位置
高級時裝聯乘，不再是什麽新鮮事，而近年的時裝設計，不管是獨立品牌或聯乘，賣的不再只是衣裳本身與主題相關聯的設計成品，籍著被過分conceptualize及刻意營造的那一絲概念，一季復一季的低級趣味時尚單品蓋過了時尚品牌本身奢華形象和設計初衷的核心價值。商業和藝術設計永遠難成正比，流水式的設計驚訝地登上經典系列，高級品牌到了一個能輕易觸“得”可及的大衆地步，順應潮流而衍生被波動的漣漪，無限撗張，大智若愚地俘虜著消費者那誓必佔有和秒殺的虛榮心理，去滿足、賦予和實踐品牌背後要也要交租及出糧的定理，相繼得以如此這般持續營運。
想起當時 蠢也沒法子 純情得可以
不定時無限期創作，從來不是易事，但點子重復，成就了千篇一律的系列，換上新色彩，添加小點綴，以更世俗的設計去討好自己，自我感覺良好地為自己加上冠冕，懵著頭笑說謂新思維主流設計。在本來經已優雅、奢華的品牌形象硬插了自己的怪異風格，邁進走火入魔的層次，縱使出衆，設計美感盡失，自我審美的那一關似乎已經無關痛癢；換來破口大駡比起激讚的愚昧賽果，不能成正比，頓時眉頭一皺，悶透了極點。好的設計當然能娛樂大衆共好，一旦踩界，更瘋癲的作品，就只會是愚樂。設計師向品牌Archives檔案設計致敬的口號常往嘴邊挂，立志朝向標新立異的Z世代所好的設計意向和似乎去標榜個人風格更甚成為更主要目的。所謂的致敬，口號喊了就算，卻帶不走留下背負歷史潮流意義的痕跡。被磨損的設計，同天邊，遺留（臭）萬年，遙遙萬里呈相交點，將會狠狠地列入時尚歷史的記載。聯乘恐稱謂黑客入侵- It’s
a damn hacking!
謙卑的人 只要做亞軍
要在時尚圈久足，一些設計師恐防不懂謙卑，也不想和懂得做亞軍的興奮，漸而萌生了時刻會怕被淘汰的憂慮。受了教訓也不懂是錯的觀念更加恐怖也不要得，縱使他朝成爲（再次）冠軍，也不敵查問，哪怕贏了（經已）會惹公憤。自大成狂，一發不可收拾，來到這個水土不服的位置，就變得更加的諷刺。難道要是跌到永不超生之時，才會受教訓？！是爭氣定是賭氣，一旦你的設計變了（到）這樣隨便，難道又要是消費者在手機按到沒電之時為這magically
nonsensical 的俗氣衣裳來為你埋單？！
仍然很興奮
酷愛時尚的你，忙追潮流，為佔有那不需為起跑綫，如此怪誕時尚行徑，明者明！你大愛的同時，又邊罵邊追捧，對之酷愛的熱度並沒退減，瞬間來回地獄又折返人間繼續零距離支持和血拼戰場，在未來得平靜回氣及付清之前的賬單，為戰利品而歡呼雀躍，急不及待要公諸同好，狐狸尾巴蓋不了，虛榮真性情盡顯露，連自尊都忘記，時尚戰俘稱號被加冕，坐上那自製的火箭，完美得可怕！
Giuseppe Zanotti SS2021 collection brings the idea of floral to a new dimension. NAUSICAA high heel sandals represent Giuseppe Zanotti’s interpretation of a shoe for leisure time or evening occasions.
The tone-on-tone tulle ruffle adorn the feet in a light way, creating a movement around the feet that is scenographic and romantic at the same time.
The variation, NAUSICAA MULE high heel sandals, available in nude, green, black and pink, taking a subtle approach to the collection.
Introduced in 2016, the Emerald collection is named after Mr. Winston’s preferred diamond cut: the eight-sided emerald cut. In honor of the founder of the House of Harry Winston, the silhouette of the feminine 18-karat white gold case emulates the impeccable lines of the emerald cut with its octagonal geometry, as does the signature 18-karat gold Harry Winston applique at noon. The 53 brilliant-cut diamonds set in the dainty 17.7mm x 24mm case accentuate the dynamic profile and illuminate the dial with their radiant light.
